As sonatas para piano opus 11 e opus 22 de Robert Schumann: aspetos técnicos e interpretativos
Type
masterThesis
Creator
Identifier
202151727
Title
As sonatas para piano opus 11 e opus 22 de Robert Schumann: aspetos técnicos e interpretativos
Contributor
Alvares, Paulo Sérgio Guimarães
Pinho, José Francisco Bastos Dias de
Pinho, José Francisco Bastos Dias de
Subject
Piano
Robert Schumann
Sonatas
Op.11
Op.22
Technique
Técnica
Interpretação
Interpretation
Domínio/Área Científica : Humanidades
Robert Schumann
Sonatas
Op.11
Op.22
Technique
Técnica
Interpretação
Interpretation
Domínio/Área Científica : Humanidades
Date
2019-01-17T17:31:39Z
2019-01-17T17:31:39Z
2018
2018
2019-01-17T17:31:39Z
2018
2018
Description
Este trabalho tem como objetivo principal propor soluções Técnico-Interpretativas
para a execução das “Sonatas para piano opus 11 e opus 22 de Robert Schumann”. A
metodologia utilizada parte de nossa experiência como intérprete, da leitura dos textos
originais, da anotação de dedilhados, assim como da segmentação de cada uma das
sonatas ou partes delas, permitindo a apreensão de componentes estruturais
selecionados como o espaço, a linguagem, o tempo e o timbre, além da dinâmica
andamento, fraseado e pedalização, com sugestões de recursos técnicos. execução. O
caminho percorrido é o da performance para a análise e as ferramentas utilizadas são
primeiro as do intérprete e depois as do teórico ou analista. Complementa o trabalho a
partitura da edição utilizada no estudo das Sonatas e uma bibliografia reunindo obras
a partir das quais me embasei. A conclusão da dissertação utiliza a análise, os dados
pessoais do compositor relacionados às peças e as experiências adquiridas durante o
estudo das obras, resultando em possíveis soluções para uma interpretação segura e
fiel das Sonatas
Abstract : This work has as main objective to propose Technical-Interpretative solutions for the execution of the "Sonatas for piano opus 11 and opus 22 of Robert Schumann". The methodology used is part of our experience as an interpreter, of reading the original texts, of fingering notes, as well as of the segmentation of each of the sonatas or parts of them, allowing the apprehension of selected structural components such as space, language, time and the timbre, besides the dynamic tempo, phrasing and pedalization, with suggestions of technical resources. execution. The path traveled is that of performance for analysis and the tools used are first those of the interpreter and then those of the theorist or analyst. The work complements the score of the edition used in the study of the Sonatas and a bibliography bringing together works from which I embarked. The conclusion of the dissertation uses the analysis, the personal data of the composer related to the pieces and the experiences acquired during the study of the works, resulting in possible solutions for a safe and faithful interpretation of the Sonatas.
Abstract : This work has as main objective to propose Technical-Interpretative solutions for the execution of the "Sonatas for piano opus 11 and opus 22 of Robert Schumann". The methodology used is part of our experience as an interpreter, of reading the original texts, of fingering notes, as well as of the segmentation of each of the sonatas or parts of them, allowing the apprehension of selected structural components such as space, language, time and the timbre, besides the dynamic tempo, phrasing and pedalization, with suggestions of technical resources. execution. The path traveled is that of performance for analysis and the tools used are first those of the interpreter and then those of the theorist or analyst. The work complements the score of the edition used in the study of the Sonatas and a bibliography bringing together works from which I embarked. The conclusion of the dissertation uses the analysis, the personal data of the composer related to the pieces and the experiences acquired during the study of the works, resulting in possible solutions for a safe and faithful interpretation of the Sonatas.
Access restrictions
openAccess
http://creativecommons.org/licenses/by/4.0/
http://creativecommons.org/licenses/by/4.0/
Language
por
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