A Improvisação como processo criativo : uma abordagem Barroca e Contemporânea
Type
masterThesis
Creator
Identifier
202208257
Title
A Improvisação como processo criativo : uma abordagem Barroca e Contemporânea
Contributor
Álvares, Paulo Sérgio Guimarães
Castilho, Maria Luísa Faria de Sousa Cerqueira Correia
Castilho, Maria Luísa Faria de Sousa Cerqueira Correia
Subject
Improvisação musical
Processo criativo
Performance
Barroco
Música contemporânea
Musical improvisation
Creative process
Baroque
Contemporary music
Domínio/Área Científica : Humanidades
Processo criativo
Performance
Barroco
Música contemporânea
Musical improvisation
Creative process
Baroque
Contemporary music
Domínio/Área Científica : Humanidades
Date
2019-03-28T15:50:18Z
2019-03-28T15:50:18Z
2019
2019
2019-03-28T15:50:18Z
2019
2019
Description
Este trabalho de projeto tem como objetivo oferecer à comunidade musical elementos de criação improvisatória através da investigação e identificação das caraterísticas, diferentes e comuns, que impulsionam a criatividade na improvisação barroca e contemporânea. Para realização desta tarefa, além da consulta bibliográfica sobre as técnicas de improvisação em ambas as expressões musicais, foram realizadas pesquisas com a finalidade de demonstrar o pensamento criacional em ambos os modelos. Foi-se constatado que, além de ter de lidar com as peculiaridades estético-funcionais de cada expressão, ambas as linguagens musicais exigem do improvisador uma capacidade de perceção cognitiva a ser usada na performance em tempo real.
Abstract : This work aims to offer to the musical community elements of improvisational creation through the investigation and identification of the different and common characteristics that stimulate creativity in baroque and contemporary improvisation. For the accomplishment of this task, in addition to the bibliographic research on improvisation techniques in both languages, researches were carried out to demonstrate the creative thinking in both models of improvisation. It was observed that, in addition to dealing with the aesthetic-functional peculiarities of each language, both musical languages require a cognitive-perception capacity of the improviser to be used in real time performance.
Abstract : This work aims to offer to the musical community elements of improvisational creation through the investigation and identification of the different and common characteristics that stimulate creativity in baroque and contemporary improvisation. For the accomplishment of this task, in addition to the bibliographic research on improvisation techniques in both languages, researches were carried out to demonstrate the creative thinking in both models of improvisation. It was observed that, in addition to dealing with the aesthetic-functional peculiarities of each language, both musical languages require a cognitive-perception capacity of the improviser to be used in real time performance.
Access restrictions
openAccess
http://creativecommons.org/licenses/by/4.0/
http://creativecommons.org/licenses/by/4.0/
Language
por
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