Luísa Correia CASTILHO (2020). “The policoral mass of Las Palmas de Gran Canaria by Manuel de Tavares”In Daniel Raposo, João Neves, José Silva, Luísa Correia Castilho e Rui Dias (Eds) Advances in Desigign, Music and Arts. Springer Series in Design and Innovation (Switzerland, Springer), pp. 651-665 ISSN 2661-8184; ISBN 978-3-030-55699-0
2661-8184
978-3-030-55699-0
Title
The Policoral Mass of Las Palmas de Gran Canaria by Manuel de Tavares
Subject
Mass Manuel de Tavares Polychorality Polyphony Antiphonal change
Date
2020-12-23T12:44:50Z 2020-12-23T12:44:50Z 2020
Description
Apenas estão disponíveis o resumo e os metadados. Manuel de Tavares (c. 1585-1638) was a Portuguese composer who accomplished his professional career in several Spanish cathedrals and occupied the position of Master of chapel in Las Palmas, in Gran Canária between 1631 and 1638. In this city the composer developed and reinforced the polychoral style. From this core of pieces which remain till the present days we can find a polychoral mass. So, this paper is about the characterization of this mass according to the following items: codicological analysis and from the musical contents and its normal framing; and between text and music and polychoral writing: type of voices and combination of clefs, movement of parts from bass and harmonical independence in tutti passage and antiformal change. info:eu-repo/semantics/publishedVersion
